Drawing & Sketches
- Techniques
- 4 1/4" x 5 1/2"
- 4" x 9"
- 5″ x 5″
- 5 1/2" x 8"
- QUOTES
- Art & Literacy
- Making a start
- What to draw with
- Composition and general layout
- Examples of completed drawings
- 4" x 9"
- 4 1/2" x 6"
- 5" x 5"
- 5 1/2" x 8"
- What to draw with
- Anatomy and shape
- Action
- Tricks and techniques
- What to draw on
- Perspective and structure
- Step by step: repose
- Step by step: the frown
- Step by step: the smile
- What to draw with
- Perspective
- Basic anatomy
- Clothes
- Movement
- Composition
- Making a start
- Looking at detail
- Grasping essentials
- Perspective and foreshortening
- Step by step
- Building a drawing
- Patterns and designs derived from plants
- What to draw with
- Drawing parts
- Body shapes
- Step-by-step: the body
- Drawing movement
- Different techniques
- Making a start
- Perspective
- Understandings how things work
- Blocking-in and shading
- Demonstrations
- Different subjects in different media
- What to draw with
- Difficult subjects
- Foreshortening
- Features
- Self portrait
- Making a start
- Perspective
- Standing
- MEGA MONTAGE
- STILL LIFE
- Measurements and Proportions
- Measurements and Proportions
- Measurements and Proportions
- Measurements and Proportions
- Measurements and Proportions
- Measurements and Proportions
- MANGA FANTASY BASICS
- FAERIES AND KNIGHTS
- FLYING CHARACTERS
- MAGICAL EFFECTS! By: Hart, Christopher
- SUPERNATURAL BEINGS
- DOG BASICS
- DOGS WITH PAPERS
- ANATOMY AND OTHER COOL STUFF
- PUPPIES
- WOLVES
- AND NOW FOR SOME REALLY WACKY 'TOONS!
- CHAPTER 1: THE PLANT KINGDOM
- CHAPTER 2: DRAWING AND WATERCOLOUR TECHNIQUE
- CHAPTER 3: FLOWERING PLANTS: Flowers, Fruits & Seeds
- CHAPTER 4: FLOWERING PLANTS: Leaves, Stems & Roots
- CHAPTER 5: MORE PAINTING MEDIA
- CHAPTER 6: MONOCHROME DRAWING MEDIA
- CHAPTER 7: MEASURING AND MAGNIFYING PLANT PARTS
- CHAPTER 8: TREES
- CHAPTER 9: FUNGI
- CHAPTER 10: FLOWERLESS PLANTS
- CHAPTER 11: PRESENTING YOUR WORK
- CHAPTER 12: FURTHER STUDY
- Shells and Patterns
- LET'S DRAW!
- SCHOOL COMICS
- MAGIC TIME
- FAIRIES AND FRIENDS
- DRAW MANGA MONSTERS! By: Hart, Christopher
- CHAPTER ONE: DRAWING HEADS
- CHAPTER TWO: DRAWING FIGURES
- CHAPTER THREE: DRAWING SURROUNDINGS
- CHAPTER FOUR: THE ART OF INKING
- CHAPTER FIVE: SEQUENTIAL STORYTELLING
- Drawing Supplies
- Create Gesture Drawings
- Experiment With Other Drawing Tools
- Perspective
- Composition
- Step-by-step 2: handles and spouts
- Shadows and highlights
- Variety of subject and technique
- Getting life and character into a drawing: Water and sky
- Common problems
- MANGA BASICS
- COOL MANGA CHARACTERS
- THE BATTLING ROBOTS OF MANGA
- BONUS SECTION: ADVANCED DRAWINGS
- Step-by-step: drawing trunks, drawing branches, drawing leaves
- Blocking-in and shading
- A selection of different subjects in different media
- What to draw with
- Drawings with a single vanishing point
- More advanced exercises
- Some subjects/different techniques
- What to draw with
- Anatomy and shape
- Step-by-step
- Action
- Tricks and techniques
- What to draw with
- Same subjects different techniques
- Finished drawings different techniques
- Sketchbook drawings
- What to draw with
- Anatomy and structure
- From first sketch to finished drawing
- Getting life into a drawing
- Different types
- What to draw with
- Animals
- Chapter 1: The past
- Chapter 2: Basic equipment
- Chapter 4: Plant handling
- Chapter 5: Plants in detail
- Chapter 6: Pencil
- Chapter 7: Ink
- Chapter 8: Scraper board
- Chapter 9: Water-colour and gouache
- Chapter 10: Acrylics
- Chapter 11: Photography
- clip & save art notes
- Anger and aggression
- Surfaces and textures
- What to draw on
- A complex drawing step by step
- More about vanishing points
- Step by step: frontal
- Proportion
- Using your pencil
- Copying and other aids
- A portrait step by step
- CHAPTER 1: Seeing to Draw
- CHAPTER 2: Turning Edges into Objects
- CHAPTER 3: Adding Accuracy
- CHAPTER 4: Pencil Values
- CHAPTER 5: Expanding Value Technique: Wash, Pen, Pencil
- CHAPTER 6: Expanding Value Technique: Charcoal
- CHAPTER 7: Drawing the Face, Frontal View
- CHAPTER 8: Drawing the Face, Profile View
- CHAPTER 9: Expanding Value Technique: Conté
- CHAPTER 10: Still Life
- INTRODUCTION
- THE BASICS
- AFRICAN ANIMALS
- BEARS
- HORSES
- BIRDS
- REPTILES AND EXOTIC ANIMALS
- SEA CREATURES
- CUTE CRITTERS AND PETS
- DRAW MANGA! By: Hart, Christopher
- Looking the Part: Materials and Supplies
- The Problem
- Site
- Shape
- Shade
- Drawing Eyes
- Drawing Noses
- Drawing Lips and Teeth
- Drawing the Head
- Drawing Hair
- Perspective: general
- Tone and colour
- The head
- Older children
- Dancing class
- What to draw with
- Perspective
- Finding natural objects to draw
- Looking for detail
- Adding Detail
- Adding Detail
- Adding Detail
- Adding Detail
- Adding Detail
- Adding Detail
- ANIME
- EASY ANIME CHARACTERS
- ANIME ANIMALS
- THE MARTIAL ARTS
- AMAZING ACTION HEROES!
- Action
- Materials and techniques
- What to draw on
- Using a wash
- Garden visitors: birds
- DEALING WITH CLIENTS
- FINISHING A STRIP IN PHOTOSHOP
- SKETCH, SKETCH, SKETCH ..
- A GREETING CARD DISASTER
- SYNDICATED CARTOONISTS - USA
- BREAKING INTO COMICS
- 3D COMPUTER ANIMATION
- CHILDREN'S BOOK ILLUSTRATION
- HOW THIS BOOK WAS CREATED
- WEB SITES
- KNIGHTS
- ARMOR
- ROYALTY
- AROUND THE KINGDOM
- DRAGONS
- CHAPTER 1: THE DRAWING PROCESS
- CHAPTER 2 THE ARTIST'S HANDWRITING
- CHAPTER 3: PROPORTIONS: TAKING THE MEASURE OF THINGS
- CHAPTER 4: THE ILLUSION OF LIGHT
- CHAPTER 5: THE ILLUSION OF DEPTH
- CHAPTER 6: THE ILLUSION OF TEXTURE
- CHAPTER 7: PATTERN AND DESIGN
- CHAPTER 8: DRAWING AND IMAGINATION
- GETTING STARTED
- PLANT-EATERS
- THE GREAT MEAT-EATERS
- DINOSAUR WARS!
- ANCIENT REPTILES
- EARLY MAMMALS
- DINOSAUR CARTOONS
- Blend for Value
- Use Value to Create Texture
- Drawing Techniques: Tonal Blending
- Drawing Techniques: Random Line
- Drawing Techniques: Hatching
- Drawing Techniques: Crosshatching
- Drawing Techniques: Pointillism
- How to Plan Your Drawings: Focal Point
- Making a start
- DRAWING THE Cartoon Head
- DRAWING Bodies
- THE Action Line
- THE TEN Moat Common Mistakes
- THE WORLD OF Cartoon Animals
- THE MAGIC OF Animation
- Perspective MADE SIMPLE
- DRAWING "Realistic" Cartoons
- DRAWING Edgy' Toons
- Chapter 1: DRAWING IN THREE DIMENSIONS
- Chapter 2: DRAWING THE FIGURE
- Chapter 3: THE FIGURE IN ACTION
- Chapter 4: DRAWING THE HEAD
- Chapter 5: USING REFERENCE MATERIALS
- Chapter 6: DRAWING THE PAGE
- Chapter 7: INKING
- AUTOMOTIVE BASICS
- ULTIMATE DRIVING MACHINES
- COLLECTORS CLASSICS
- RACE CARS
- MONSTER TRUCKS
- FIGHTER JETS
- What to draw on
- Charcoal drawing
- Parks and spaces
- Finished drawings/contrasting techniques
- Expression
- Dont's
- Drawing movement
- Introduction
- Glossary of botanical terms used in the text
- Index
- You Can Do It! Here's Proof
- Learning to Blend With Graphite
- Working From a Photograph
- Drawing the Face
- Drawing the Hair Step by Step
- The Five Basic Folds
- Making a start
- Variety
- Caricature
- Tooth and claw
- Perspective
- Drawing with brush and ink
- Tone with line
- Where to draw
- Beach scenes
- Sketches
- Different subjects/different techniques
- DEMONSTRATION 1 KITCHEN STILL LIFE.
- DEMONSTRATION 2 FLOWERS.
- DEMONSTRATION 3 ROCKS.
- DEMONSTRATION 4 HILLS.
- DEMONSTRATION 5 DRIFTWOOD.
- DEMONSTRATION 6 CLIFF.
- DEMONSTRATION 7 MALE HEAD.
- DEMONSTRATION 8 FALLEN TREE.
- DEMONSTRATION 9 WOODED ISLAND.
- DEMONSTRATION 10 FEMALE HEAD.
- Drawing IS COOL!
- TOOLS OF THE TRADE
- Basic Elements
- Composition
- WARM-UP
- THE BLIND LINE
- ACTION FIGURE
- SELF-PORTRAIT
- FINISHING UP: Your Inner Aesthetic
- INTRODUCTION
- A baby
- Selecting a subject from the landscape: Fences and gates
- Selecting a subject from the landscape: Water
- Designs from nature
- Perspective
- Step by step: the whole dog
- Perspective
- GOING FREELANCE
- CREATING THE PERFECT WEBSITE
- SYNDICATION
- Frequently Asked Questions
- Perspective
- Getting life and character into a drawing: Tone and textures
- Getting life and character into a drawing: Light and shadow
- Getting life and character into a drawing: Mixing media
- ENVELOPES
- Start With a Sphere
- Drawing Women's Lips
- Look for Interlocking Shapes
- The Structure of the Eye
- Correct Placement and Proportion
- Composition
- Creative Backgrounds
- What to draw with
- What to draw on
- Making a start
- What to draw on
- Where to begin a drawing
- VALUES.
- Making a start
- Proportion
- Making a start
- What to draw with
- Where to begin
- The smile: general
- The smile: female
- The smile: male
- Fear
- Other expressions
- Old age
- Variation of line
- Where to find your subject
- What to draw with
- What to draw on
- Composition
- The study of one plant
- Light and effect
- A sense of colour in black and white
- Character and imagination
- Making a start
- Anatomy
- Proportion and structure
- Step-by-step: the head
- Unusual positions
- What to draw with
- What to draw on
- Composition
- Step by step: the basic approach
- One object from different angles
- Useful tips for complicated scenes
- Size and scale
- Step by step: putting up scaffolding
- Step by step: building out from the centre
- Tricks perspective can play
- Light and shade
- Tackling a large building
- People in public buildings
- Sketching as a record
- Making a start
- What to draw with
- Perspective
- Composition
- Drawing part of the subject
- Using your sketches
- Getting life into a drawing
- Skies
- Media and techniques
- Making a start
- Proportion
- Step by step: worm's-eye
- Step by step: bird's-eye
- Reflections
- Circles and ellipses
- Line and tone combined
- Making a start
- Placing yourself and your sitter
- Looking for the complete shape
- Light
- Choosing a pose
- Profile
- Three-quarter and full face
- Expression
- Racial types
- What to draw with and on
- Measuring
- Anatomy: general articulation
- Anatomy: detail
- The shoulder
- The arm
- The leg and pelvis
- The head
- Foreshortening
- Lying
- Line drawing
- Pen and pen-and-wash drawing
- The figure in its setting
- Composition
- Contents
- THE ART OF creativity
- What's next?
- GLOSSARY
- INDEX
- CONTENTS
- WELCOME
- BUYER'S GUIDE
- Untitled
- Getting Started
- Basic Shapes
- Final Outline
- Keep Drawing
- Caricature Airplanes
- Getting Started
- Basic Shapes
- Final Outline
- Keep Drawing
- Caricature Cars
- Getting Started
- Basic Shapes
- Final Outline
- Keep Drawing
- Caricature Cats
- Getting Started
- Basic Shapes
- Final Outline
- Keep Drawing
- Caricature Dinosaurs
- Getting Started
- Basic Shapes
- Final Outline
- Keep Drawing
- Caricature Dogs
- Getting Started
- Basic Shapes
- Final Outline
- Keep Drawing
- Caricature People
- INTRODUCTION
- INTRODUCTION
- INDEX
- INTRODUCTION
- WHAT YOU'LL NEED
- PROFESSIONAL ADVICE
- INDEX
- TABLE OF CONTENTS
- INTRODUCTION
- How to Use Your Pencil
- Create Lines That Show Dimension
- Create Blind Contour Drawings
- Build Details Into Your Blind Contour Drawings
- Draw in Perspective: Foreshortening
- Draw in Perspective: Ellipses
- Discover Negative Space
- Discover Value
- Create Basic Shapes With Volume
- Shade With Rhythm
- Identify and Use Value
- Use Hard and Soft Edges
- Let's Review the Drawing Process
- Draw From Life
- How to Plan Your Drawings: Counterpoints
- How to Plan Your Drawings: Line
- How to Plan Your Drawings: Space
- How to Plan Your Drawings: Planes
- Use Value to Direct the Viewer's Eye
- GLOSSARY
- INDEX
- What to draw with
- Starting to draw
- Step-by-step 1: a bottle
- Step-by-step 3: vegetables
- Looking at detail
- Folds
- What to draw on
- Getting life and character into a drawing: Withering
- CONTENTS
- WELCOME
- BUYER'S GUIDE
- Untitled
- Making a start
- What to draw with
- Drawing parts
- Sketches
- Getting life into a drawing
- Mediums and techniques
- Making a start
- Perspective
- Drawings with two vanishing points
- Drawing by stages: single building
- Drawing by stages: a cityscape
- From first sketch to finished drawing
- Street furniture and street life
- Different subjects/different techniques
- Industrial subjects
- Making a start
- Proportion
- Basic shapes
- Making a start
- Perspective
- Different techniques shown in a single drawing
- Drawing by stages: Coné no4
- Drawing by stages: 4B pencil
- Drawing by stages: Charcoal
- Making a start
- Perspective
- Interiors
- Figures
- Still life
- Kitchens
- Gardens
- Portraits
- Children
- Townscapes
- Villagescapes
- Figures in a setting
- Boats
- People on the beach
- Sketching from photographs
- Chapter 3: Concepts
- Chapter 12: Preparing for the printer
- Composition
- Sorrow
- Childhood
- Making a start
- What to draw on
- Quick notes
- Composition
- How not to draw from photographs
- Suggesting colour
- Historic house
- Introduction
- Where to draw
- Structure
- Where to begin
- Composition
- In general
- Linear perspective and 'eye level.'
- Linear perspective: frontal
- Linear perspective: worm's-eye
- Linear perspective: bird's eye
- An awkward combination
- Tonal or aerial perspective
- Line and tone compared
- Boards
- Spectacles
- Group portraits
- Sitting
- Drawing from memory
- Sketchbook
- Starting Out
- Supplies
- INDEX
- Making a start
- What to draw with
- What to draw on
- Perspective: figures
- Foreshortening
- Masses and planes
- Studies in tone
- Pen and wash
- Young children
- Children in movement
- Selecting a subject from the landscape: Stone walls
- Table Of Contents
- ARTIST'S TOOLBOX
- Important Words
- Web Sites
- Index
- Table Of Contents
- Artist's Toolbox
- Important Words
- Web Sites
- Index
- Table Of Contents
- Artist's Toolbox
- Important Words
- Web Sites
- Index
- Table Of Contents
- Artist's Toolbox
- Important Words
- Web Sites
- Index
- Table Of Contents
- Artist's Toolbox
- Important Words
- Web Sites
- Index
- Table Of Contents
- Artist's Toolbox
- Important Words
- Web Sites
- Index
- Index
- INTRODUCTION
- INDEX
- SUPPLIERS
- BIBLIOGRAPHY
- INTRODUCTION
- Making a start
- What to draw with
- Anatomy
- Basic shapes
- Legs and feet
- Step by step: the head
- Making a start
- What to draw with
- Structure and form
- The structure of plants
- Working within a framework
- Shading and weight of line
- A re-statement
- Step-by-step: an urn
- Building up a drawing
- Working from the centre
- Drawing with a pen
- Drawing in charcoal
- Texture
- YOU HAVE TO START SOMEWHERE
- REFINE YOUR WORK - PRACTISE
- PRACTICE, REPETITION & EXPERIMENTATION
- UNLOCKING YOUR FULL POTENTIAL
- HOW TO STAY SANE
- IF AT FIRST YOU DON'T SUCCEED..
- SAY GOODBYE TO WRITER'S BLOCK
- YOU CANNOT DRAW WHAT YOU HAVE NOT SEEN
- CARTOON MARKETS
- CARTOONING IN THE DIGITAL AGE
- COMPUTER TIPS FOR CARTOONISTS & ILLUSTRATORS
- BE AWARE OF MODERN TRENDS
- DO SOME MARKET RESEARCH
- SCAN YOUR PAINTINGS ON YOUR HOME A4 SCANNER
- FRAMING TIPS
- GREETING CARDS
- WORKING PRACTICE
- SELF SYNDICATION
- KEEP YOUR DAY JOB
- CORPORATE CARTOONING
- CARTOONS ONLINE
- INTRODUCTION
- INDEX
- Index
- ABOUT THE AUTHOR
- INTRODUCTION
- About the Author
- Acknowledgments
- Dedication
- Warm-Ups
- Create Lines That Show Confidence
- Moving On
- What to draw on
- Index
- Epilogue: BREAKING INTO THE INDUSTRY
- INTRODUCTION
- Index
- Introduction
- Where to draw
- Anatomy and structure
- Schemes and sketches
- Where to begin a drawing
- A group of trees
- Tree shapes
- Correcting mistakes
- Common problems
- Composition
- What to draw on
- Architectural details
- Composition
- Composition
- What to draw on
- Presentation
- Making a start
- Composition
- Proportion
- How not to draw from photographs
- Composition
- What to draw on
- Trees
- Skies
- Sketching from TV
- Three sketches of one view
- A finished work
- Acknowledgements
- Foreword
- Selected bibliography
- Introduction
- The Five Elements of Shading
- The Puzzle Piece Theory: A Guide to Seeing Shapes
- Putting It All Together in a Portrait
- How the Nose Relates to the Other Features
- Drawing Facial Hair
- Portrait of a Distinguished Gentleman
- Placement of the Ear
- Graphing and Drawing the Eye
- Drawing Men's Eyes
- Placement of Eyes on the Face
- Graphing the Eyes
- Drawing Eyeglasses
- A Finished Portrait
- A Photo to Practice With
- Making the Clothing Work in Your Portrait
- The Angles and Planes of the Hand
- A Finished Portrait
- Turn Moments and Memories Into Artwork
- Assembling a Montage
- Conclusion
- INDEX
- What to draw with
- Essential lines
- The right proportions
- A cartoon step by step
- Saying something personal
- Simplicity and impact
- Situations
- Action
- A true likeness
- Different subjects, different media
- Finished works
- Making a start
- Composition
- Making marks with ink
- Trees: Ink and wash
- Trees: Stick and ink
- Working wet into wet
- Tone with ink washes
- Pen and wash
- Sketching people
- Designs in ink
- What to draw with
- Waves: formation and movement
- Waves: perspective
- Drawing parts
- Blocking and shading
- Getting life into a drawing
- Correcting mistakes
- Common problems
- EQUIPMENT.
- WARMING UP.
- PERSPECTIVE.
- DRAWING CUBICAL OBJECTS.
- DRAWING CUBICAL OBJECTS STEP-BY-STEP.
- DRAWING CYLINDRICAL AND CONICAL OBJECTS.
- DRAWING CYLINDRICAL OBJECTS STEP-BY-STEP.
- DRAWING ROUNDED OBJECTS.
- DRAWING ROUNDED OBJECTS STEP-BY-STEP.
- DRAWING IRREGULAR OBJECTS.
- DRAWING IRREGULAR OBJECTS STEP-BY-STEP.
- PENCIL DRAWING.
- CHALK DRAWING.
- CHARCOAL DRAWING.
- ACKNOWLEDGMENTS
- ABOUT THE AUTHOR
- How to Use This Book
- Index
- DEDICATION
- ACKNOWLEDGMENTS
- TABLE OF CONTENTS
- CONCLUSION
- A twelve-year-old
- Making a start
- What to draw on
- Composition
- Selecting a subject from the landscape: Rocks
- What to draw on
- Composition
- Drawing from a photograph
- Heads
- Noses
- Ears
- Eyes
- Proportion
- Composition
- Garden visitors: butterflies
- Garden visitors: snails
- A final word
- CONTENTS
- ACKNOWLEDGEMENTS
- PREFACE
- LOOSENING UP
- THE IMPORTANCE OF CONSTRUCTIVE CRITICISM
- LEARNING FROM THE PRO'S
- MINDING YOUR OWN BUSINESS
- INCOME TAX
- HOW MUCH ARE YOU WORTH? By: Hall, Robin
- INVOICES
- COMPUTERS ... DON'T LET THEM SCARE YOU
- ESSENTIAL HARDWARE
- ESSENTIAL SOFTWARE
- CAN CARTOON SITES MAKE MONEY ? By: Hall, Robin
- DRAW UP A PLAN
- REFINE AND COLOUR YOUR SKETCHES
- TRANSFER THE SKETCHES WITH A PROJECTOR
- AIM FOR A HIGH QUALITY FINISH
- BUILD A PORTFOLIO
- THE MARKETS
- SENDING SITUATIONS
- FINDING GAGS
- GREETING CARD WRITING
- A HOME GREETING CARD BUSINESS
- SYNDICATION RESOURCES
- NEVER GIVE UP
- HEART OF EMPIRE THE CD-ROM
- BIBLIOGRAPHY
- READERS GALLERY
- INDEX
- INTRODUCTION
- INDEX
- BIBLIOGRAPHY
- CONTENTS
- INTRODUCTION
- Index
- Contents
- Introduction
- acknowledgments
- INTRODUCTION
- INDEX
- INTRODUCTION
- INDEX
- Acknowledgments
- CONTENTS
- Correct Blending Techniques
- Three Basic Steps of Rendering
- Use Blending to Give Form
- Drawing the Nose Step by Step
- How to Graph a Facial Feature
- Graphing the Nose
- Practice Drawing the Nose
- Shading and Shaping the Teeth
- Drawing Men's Lips
- Drawing the Mouth Step by Step
- Graphing the Mouth
- Drawing Facial Hair Step by Step
- Graphing the Ear
- Drawing the Ear Step by Step
- Look for Contrasting Edges
- The Eye in Profile
- Assembling the Shapes
- Drawing the Iris
- Shaping the Eyelids
- The Angle of the Eye
- Drawing the Eyebrows Step by Step
- The Direction of Gaze
- Horizontal Ellipses
- Vertical Ellipses
- Children's Eyes
- Expressive Eyes
- Graphing the Face
- Drawing Men's Hair
- Drawing an Ethnic Hairstyle
- Drawing Various Hairstyles and Hair Color
- Permed or Curly Hair
- The Band of Light
- A Character Study
- Simplifying the Shapes of the Hand
- Comparing Men's and Women's Hands
- Drawing the Female Hand
- Graphing the Hand
- Drawing Hands Step by Step
- Expressive Hands
- Multiple Subjects
- Cropping
- What to draw on
- Line and watercolour
- Perspective
- Composition
- Envoi
- Drawing for reproduction
- Where to draw
- Perspective
- Composition
- Waves: step-by-step
- CONTENTS..
- INTRODUCTION..
- GETTING STARTED..
- MEASURING..
- PROPORTIONS..
- EYE LEVEL..
- PRESERVING DRAWINGS..
- Personalizing the Ears
- Drawing & Sketching